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Abraham Avila

Ark Review/Review

The Kingdom Called Tijuana – Art from the Mexican Borderland

In her writings, Chris Kraus strokes art history, in the sense that Benjamin uses the term, against its hair. She disrupts the continuum of established art history and rescues dead and forgotten artists from oblivion and writes about small art collectives on the outskirts of the institutionalized art scene. Without psychologizing, she insists on the… Keep Reading

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